Iron Man (Ultimate Two-Disc Edition) (2008)
dir. Jon Favreau
Still one of the best movies of the year, but I have a feeling once Oscar season is over, it'll probably drop down the list, but still be in the top 10. Robert Downey Jr. is PERFECT as Tony Stark. I love Jeff Bridges, but I'm still not real crazy about his character being the villain. Although, out of everyone in the Marvel Universe, Iron Man probably had the least interesting arch-enemies. Mandarin would be cool, but who would be after that? Fin Fang Foom? That would get ridiculous.
Product Description:
You know you're going to get a different kind of superhero when you cast Robert Downey Jr. in the lead role. And Iron Man is different, in welcome ways. Cleverly updated from Marvel Comics' longstanding series, Iron Man puts billionaire industrialist Tony Stark (that's Downey) in the path of some Middle Eastern terrorists; in a brilliantly paced section, Stark invents an indestructible suit that allows him to escape. If the rest of the movie never quit hits that precise rhythm again, it nevertheless offers plenty of pleasure, as the renewed Stark swears off his past as a weapons manufacturer, develops his new Iron Man suit, and puzzles both his business partner (Jeff Bridges in great form) and executive assistant (Gwyneth Paltrow). Director Jon Favreau geeks out in fun ways with the hardware, but never lets it overpower the movie, and there's always a goofy one-liner or a slapstick pratfall around to break the tension. As for Downey, he doesn't get to jitterbug around too much in his improv way, but he brings enough of his unpredictable personality to keep the thing fresh. And listen up, hardcore Marvel mavens: even if you know the Stan Lee cameo is coming, you won't be able to guess it until it's on the screen. It all builds to a splendid final scene, with a concluding line delivery by Downey that just feels absolutely right. --Robert Horton
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Forgetting Sarah Marshall (2008)
dir. Nicholas Stoller
Pretty funny movie, but not something I'd own. I just wish the fictional show "Crime Scene" that was portrayed in the movie was actually a show. I'd watch it for Billy Baldwin alone.
Product Description:
Breaking up is hard to do--but that doesn't mean you can't have some belly laughs about it. Forgetting Sarah Marshall provides that rare treat: a romantic comedy about breakups, that is both romantic and funny. The laughs, especially from writer-star Jason Segel, are both heartfelt and raunchy, and the film is just unexpected enough that it keeps the viewer's attention till the end. The touches of producer Judd Apatow, who's famously retooled rom-coms to appeal to guys as much as women, are woven throughout the film, but Segel's script, reportedly based on many of his own experiences, is fresh and original. And adult. Forgetting Sarah Marshall features male genitalia laffs presented in unexpected and human ways (the nude breakup scene is played for giggles but also deep poignancy), and the language and sex scenes are strictly for grownups--and rightly so. Segel's script, and his performance as Peter, show that he understands the true nature of adult relationships, which provides the refreshing difference between this film and some of Apatow's other crude creations. The cast is sublime; Kristen Bell (Veronica Mars) plays title character Sarah, a self-absorbed actress, and Russell Brand is her new British honey who accompanies her to--what are the chances?--the exact same Hawaiian resort as Peter, who's nursing his broken heart. Mila Kunis plays Rachel, the resort employee who gives Peter a reason to hope, and Paul Rudd is the surfing instructor who gives him his own brand of heartfelt advice ("When life gives you lemons, just say 'F--- the lemons' and bail," he says cheerily). The pacing is screwball, and the absurdities fly (a "Dracula" musical puppet show, and a surprisingly lovely Hawaiian version of "Nothing Compares 2 U"). Nothing the viewer will forget any time soon.--A.T. Hurley
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An Autumn Afternoon - Criterion Collection (1964)
dir. Yasujiro Ozu
Back to the Criterion Collection where Ozu belongs. I like those Eclipse sets, but I'd much rather have these.
Product Description:
Yasujiro Ozu's final film is also his final masterpiece, the gently heartbreaking story of a man's dignified resignation to both life s ever-shifting currents and society's gradual modernization. Though widower Shuhei Hirayama (Ozu's frequent leading man Chishu Ryu) has been living comfortably for years with his grown daughter, a series of events leads him to accept and encourage her marriage and departure. As elegantly composed and achingly tender as any of the Japanese master's films, An Autumn Afternoon (Sanna no aji) is one of cinema s fondest farewells.
DVD Features:
New, restored high-definition digital transfer
New audio commentary featuring David Bordwell, author of Ozu and the Poetics of Cinema
Excerpts from Yasujiro Ozu and the Taste of Sake, a 1978 French television program looking back on Ozu's career featuring film critic Michel Ciment
Theatrical trailer
New and improved English subtitle translation
PLUS: A booklet featuring new essays by film scholars Geoff Andrew and Donald Richie
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Bigger, Stronger, Faster* (2008)
dir. Christopher Bell
Product Description:
Pop culture junkies tend to think of Hulk Hogan, Sylvester Stallone, and Arnold Schwarzenegger as entertainment figures. In Poughkeepsie, NY, back in the 1980s, filmmaker Christopher Bell and his brothers viewed them as heroes and became bodybuilders. Like the Hulkster, Mike and Mark Bell even turned to professional wrestling. Chris, a former staffer at Venice's famous Gold's Gym, doesn't use anabolic steroids--he did try them once--but his heroes have and his brothers do, leading him to look deeper at this increasingly common practice. While Bell explores the health costs of juicing, he's mostly concerned with the moral consequences involved in the use of performance-enhancing substances. Though he refrains from judgment, he stopped taking steroids because it felt dishonest. Naturally, his burly brothers feel otherwise. Aside from his family, Bell speaks with doctors, lawyers, congressmen, gym rats, and professional athletes, like Olympic sprinters Ben Johnson and Carl Lewis and Tour de France cyclist Floyd Landis. He also includes footage of José Canseco, Barry Bonds, and Mark McGwire testifying during the federal grand jury and congressional hearings on steroid use in the major leagues (prompted by the publication of Canseco's Juiced: Wild Times, Rampant 'Roids, Smash Hits, and How Baseball Got Big). For the most part, Bell doesn't leave any stone unturned and the personal nature of his entertaining and enlightening inquiry elevates Bigger, Stronger, Faster, i.e. The Side Effects of Being American, above your average exposé. Recommended to athletes, sports fans, health nuts, and of course, pop culture junkies. --Kathleen C. Fennessy
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Taxi To the Dark Side (2007)
dir. Alex Gibney
Product Description:
Among the slew of documentaries inspired by the post-9/11 war, arguably none is more important than Alex Gibney's Taxi to the Dark Side. The story it has to tell, with compelling thoroughness and no recourse to rhetoric, should be as disturbing to Americans supporting the war as it is to opponents. In December 2002, Dilawar, a young rural Afghan cabdriver, was accused of helping to plan a rocket attack on a U.S. base, clamped into prison at Bagram, and subjected to physical torture so relentless that he died after two days of it. But Dilawar was innocent--and he'd been denounced by the real culprit, who thereby took the heat off himself and won points with U.S. forces by giving them "a bad guy." Dilawar was the first fatal victim of Vice President Dick Cheney's devotion to "working the dark side"--torturing, humiliating, and otherwise abusing prisoners in the "Global War on Terror." His story, developed in horrific detail with testimony from the soldiers who tortured him, and also from two New York Times investigative reporters, becomes a prism for slanting light onto the "dark side" policy and the mindset behind it. The program at Bagram was deemed such a success that it served as the model for Abu Graibh the following year in Iraq, and both prisons became pipelines to the detainee facility at Guantánamo, Cuba.
The film's impact is powerful and complex. We come to see the very soldiers who broke Dilawar's body and spirit as victims, too--and patsies of a policy that, from Cheney and Attorney General Alberto Gonzales on down, ignored the Geneva Convention and shrouded itself (and commanding officers) in "a fog of ambiguity" while the grunts took the fall. A lot of these grunts testify here, and the accumulation of their individual perspectives on a shared tragedy is devastating. The latter half of the film features penetrating commentary from critics of torture as a policy (Senator John McCain was still one at the time), all of whom agree that it doesn't work and it only damages us. And for Theatre of the Absurd, there's a PR tour of (a discrete portion of) the Guantánamo facility, which turns out to be kinda like summer camp: "They get ice cream on Sundays." Finally, Taxi to the Dark Side isn't about torture or politics or the justness or unjustness of the war in Afghanistan and Iraq. Gibney is entirely correct when he says, "It's really about the American character and whether we have become something rather different from what we imagine ourselves to be." He's asking; he doesn't want it to be true. --Richard T. Jameson
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Sports Night: The Complete Series 10th Anniversary Edition (1998-2000)
dir. n/a
Product Description:
With breakout and memorable performances by Josh Charles (In Treatment), Robert Guillaume (Benson), Felicity Huffman (Desperate Housewives), Peter Krause (Six Feet Under), Sabrina Lloyd (Sliders) and Joshua Malina (The West Wing), this was writer/producer Aaron Sorkin's (A Few Good Men , The American President) first television series. And it was director Thomas Schlamme's first collaboration with Sorkin. The pair, who would continue to click brilliantly with The West Wing and Studio 60 On the Sunset Strip, may not have known it at the time, but with Sports Night they defined a new style and raised the bar for all television programs to follow.
Critically acclaimed when it debuted on ABC in 1998, Sports Nigh was an innovative half-hour program about a team of funny, smart and likeable people who put on a daily live sports cable newscast, much like ESPN's SportsCenter. They are a group of consummate professionals whose personal lives operate in apparent chaos, communicating every uncensored thought and feeling through a libretto of witty and honest chatter over the hum of the separate-but-integrated live show-within-the-show.
DVD Features:
*The Show: An in-depth look back at Sports Night with creator/writer Aaron Sorkin, directors Thomas Schlamme and Robert Berlinger, cast members Felicity Huffman, Peter Krause, Josh Charles, Joshua Malina, and Robert Guillaume, Emmy(r) award-winning editor Janet Ashikaga, Emmy(r) award-winning director of photography Peter Smokler, producer John Amodeo, and set designer Thomas Azzari. Includes never-before-seen behind-the-scenes home movies shot by John Amodeo.
*Face Off: ESPN's SportsCenter vs. CSC's Sports Night - Sports Night's real-life ESPN counterparts discuss what the series got right and wrong.
*A Conversation with Aaron Sorkin and Thomas Schlamme
*Inside The Locker Room - A look at the innovations of Sports Night with Aaron Sorkin, Thomas Schlamme, Robert Berlinger, Janet Ashikaga, Peter Smokler, John Amodeo, and Thomas Azzari.
*Season Gag Reels
*8 Episode Commentaries including creator/writer Aaron Sorkin, director/executive producer Thomas Schlamme, director Robert Berlinger, editor Janet Ashikaga, and cast members Peter Krause, Josh Charles, Joshua Malina, Sabrina Lloyd, Greg Baker, Kayla Blake, Timothy Davis-Reed, and Ron Ostrow.
*Original Promos
*36-Page Booklet including an introduction by creator Aaron Sorkin
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The Rebel (2007)
dir. Charlie Nguyen
Product Description:
Johnny Nguyen (The Protector) stars as an elite double agent tasked with taking down his own country s freedom fighters. But when he meets a beautiful rebel (pop star Thanh Van Ngo), he rethinks his loyalty to the oppressive French regime and fights back against his sadistic captain (Dustin Nguyen, 21 Jump Street).
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Deadly Duo (Shaw Brothers) (1971)
dir. Chang Cheh
Product Description:
It's the Sung Dynasty versus the Chin invaders as the "Iron Triangle" of director Chang Cheh and stars David Chiang and Ti Lung truly hit their stride with this crowd-pleasing kung fu epic. When a handsome prince is taken captive and guarded by a martial arts master it's up to two powerful patriots to fight overwhelming odds. From the first fascinating minute to the final desperate battle to the death--culminating in an unforgettably evocative conclusion--this duo is dynamic as well as deadly.
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The Last Laugh (Restored Deluxe Edition) (1924)
dir. F.W. Murnau
Product Description:
Two-DVD Deluxe Edition - The crowning achievement of the German expressionist movement is F.W. Myrna's THE LAST LAUGH. Emil Jennings stars in the bleak fable of an aging doorman whose happiness crumbles when he is relieved of the duties and uniform which had for years been the foundation of his happiness and pride. Through Jennings's colossal performance, THE LAST LAUGH becomes more than the plight of a single doorman, but a mournful dramatization of the frustration and anguish of the universal working class. Restored in 2003 by Lucian Berretta and the Friedrich Wilhelm Myrna Sifting, this Kino edition is the definitive version of a silent masterwork, presented with unprecedented clarity and a new orchestral recording of the original 1924 score. Photographed by Karl Freund (Cinematographer of Tod Browning s 1931 Dracula).
DVD Features:
Two-DVD edition featuring both THE RESTORED GERMAN VERSION and THE UNRESTORED EXPORT EDITION
New recording of the original score by Giuseppe Becce, available in 5.1 Stereo Surround or 2.0 Stereo
The Making of THE LAST LAUGH; a 40-minute documentary
Original German title sequences
Image Gallery
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Boss (1974)
dir. Jack Arnold
I seem to recall this movie having a longer title.........
Product Description:
The Boss (former football star Fred Williamson), has "decided to hunt white folks for a change," becoming a bounty hunter and setting out on the trail of fugitive outlaw Jed Clyton (William Smith). With his comic sidekick Amos (D'Urville Martin), he rides into the town of San Miguel, finds that it has no sheriff and takes the job himself. Boss takes a bite out of local crime and brings the hammer down on Clyton in this amusing and action-filled parody of the 1970s blaxploitation genre, as he institutes black man's law in this white man's town!
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